The Fuji X100S is a newer version of the superb Fuji X100,
which I bought back in 2011 and have used ever since as my primary
camera when shooting family and candid photos in available light. No
DSLR or LEICA can match the X100S' uncanny ability to match its built-in
fill-flash
to ambient light for natural results. The X100 also has better ability
to pull great color, exposure and auto white balance out of any crazy
lighting situation, and nail it all dead-on on the first shot with no
twiddling, than any other camera I've used.
The X100S is the same as the X100, which was
already the world's best available-light camera, and adds more
resolution to the electronic viewfinder, more pixels to the image
sensor, faster electronics so everything works faster, a faster AF
system and a stereo mic for you vidiots. The fast f/2 lens, is unchanged
from the X100 — because it is already perfect.
A new "Q - Quick Menu" system from Fuji's other cameras helps makes settings faster.The AF mode switch is improved, since Fuji finally
figured out to put the useless AF-C mode in the middle, so it's easy to
slide all the way between M and AF-S in one stroke without taking your
eye from the finder.Fuji claims cleaner high ISOs by one stop, and that seems about right — and the original X100
was already the cleanest 1.5x (DX) sensored camera I owned. The X100S
now will let you set AUTO ISO to grab as high as ISO 6,400, which is
more than enough for anything reasonable; heck, I can snap
constellations in the night sky hand-held with the X100S.
Close-focus distance in the regular AF mode now
gets a close as 0.21 meters, from 0.4 meters in the X100. This is
another big little improvement; I often had to mess with setting the
MACRO mode on my X100. This comes as a benefit of faster autofocus; the
X100 and X100S limit the close-focus distance in the regular mode based
on how long is reasonable for the camera to have to rack the lens all
the way in and out between infinity and close-focus distance, so the
X100S' faster autofocus allows a closer minimum autofocus distance in
the regular AF modes.The X100S now adds stainless-steel inserts in the strap lugs.
The X100S' lens is fixed, never needing to extend or retract; it's always ready to shoot.
Key features
- 12 megapixel APS-C sized CMOS sensor
- Fixed 23mm F2 lens (field of view equivalent to a 35mm lens on full frame)
- 2.8" LCD screen, 4:3 aspect ratio, 460,000 dots
- Hybrid optical / electronic viewfinder
- OVF with 0.5x magnification, projected framelines indicate approx 90% of field of view
- EVF with ca 0.5x magnification, 1,440,000 dots
- Traditional-style control dials for shutter speed, aperture and exposure compensation
- ISO 100 (L), 200-6400, 12800 (H)
- Flash hot shoe and built-in flash
- Built-in neutral density filter (3 stops)
- 1280x720 HD movie recording with stereo sound
Image Quality
One aspect of the X100 that's almost impossible to criticize is its
image quality. It may not have the most modern sensor available, but it
really does get the most out of its 12MP CMOS, providing highly detailed
images at low ISOs and remarkably noise-free and colorful output at
high ISOs. The dynamic range is already good at default settings, and
judicious use of the cameras 'DR' modes can extend highlight range
considerably when needed (although at the cost of working at higher
ISOs). Overall the image quality is difficult to fault, either in JPEG
or raw.
Overall conclusion
The X100 is without doubt one of the most highly-anticipated
cameras of recent years, due to its combination of traditional,
'rangefinder-esque' design and the innovative technology of its hybrid
optical / electronic viewfinder. The good news about the X100 is that in
certain key respects - its basic operation, viewfinder, and image
quality - it's excellent, and more than lives up to the pre-release
hype. The bad news is that in some other regards - notably shot-to-shot
speed and firmware design - it's decidedly flawed.
So let's look at the good points first. Perhaps most
importantly, the X100's image quality is excellent; the sensor may not
be the latest generation, but it still produces highly-detailed images
at low ISOs, coupled with impressive colour rendition and low noise at
high ISOs. This is complemented by a lens that is extremely sharp in
most situations, with minimal distortion or chromatic aberration; it's
only real weakness is when used wide open at short focus distances.
Operation is completely silent, and the analogue controls are a joy to
use and encourage the user to take creative control.
This all sounds great, but unfortunately the X100 also suffers from a number of operational oddities, quirks and firmware bugs
that can rather get in the way of the user experience (although
Firmware 1.1 is a real improvement over the original release). These are
described in more detail throughout this review; suffice to say that
while many are quite minor, and can be worked-around once you know about
them, others are potentially more problematic. To Fujifilm's credit,
many of the camera's initial eccentricities have been fixed in
successive formware updates.
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